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Planetary Crisis – New Permanent Exhibition at Miraikan

  • #Design Build
  • #Interior
Client
National Museum of Emerging Science and Innovation (Miraikan)
Year
2023 (2023.01 - 2023.11)

Overview

プロジェクトの概要
A sustainable exhibition space whose furniture lives on after the show
展示が終わっても什器が生き続ける、サステナブルな展示空間
VUILD handled the spatial design, furniture production, and workshops for “Planetary Crisis: To Keep Living on This Earth,” the new permanent exhibition at the National Museum of Emerging Science and Innovation (Miraikan), renewed for the first time in seven years. In line with the exhibition’s theme, the entire space was designed to reduce environmental impact. Public workshops were incorporated into the design process to consider sustainable exhibition design together with visitors.
展示が終わっても什器が生き続ける、サステナブルな展示空間
7年ぶりにリニューアルした日本科学未来館の常設展示『プラネタリー・クライシス ーこれからもこの地球でくらすために』の空間デザイン、什器製作、ワークショップを担当した。展示のテーマに合わせ、空間全体で環境負荷の低減を図った。一般参加のワークショップを設計プロセスに取り入れ、来場者と共に持続可能な展示の在り方を検討した。

02 Process

プロセス
Completion Photos
竣工写真

“Tsumibako,” modular units of domestic CLT at the core of the exhibition furniture, were designed for reuse after the exhibition.

Tsumibako is based on a 400 mm grid in width, depth, and height and consists of five types of modules, which combine into benches, tables, counters, shelves, tiered seating, gates, and more. The system is designed to be easily dismantled after the exhibition.

竣工写真

展示什器の中心となる国産CLTのモジュール什器「つみ箱」は、展示終了後の再利用を前提に設計した。

つみ箱は幅・奥行・高さ400mmのグリッドを基本とした全5種のモジュールで構成し、組み合わせによってベンチ、テーブル、カウンター、棚、ひな壇、ゲートなどに展開する。展示終了後に簡単に分解できる仕組みとした。

Construction Process
施工プロセス

“Odd timber,” irregularly shaped wood that does not circulate in the market, was used for furniture while retaining its shape.

The odd timber was sourced from Tokyo Chainsaws, a forestry company in Hinohara Village, Tokyo, and made into pieces such as a multi-stemmed table that keeps the branching of the tree and workshop tables topped with large forked timber. Before the opening, two workshops were held for elementary school children and their families: a tour and workshop in which participants walked the Hinohara forest and made “miniature gardens,” and a workshop in which they used “Tsumibako mini” to come up with ideas for reusing the furniture.

施工プロセス

また、形が不揃いで市場に流通しない「ヘンテコ材」を、形状を生かしたまま什器に用いた。

ヘンテコ材は東京都檜原村の林業会社、東京チェンソーズから調達し、枝分かれを生かした株立ちのテーブルや、大きな二股材を天板にしたワークショップテーブルなどを製作した。展示のオープン前には、小学生とその家族を対象に、檜原の森を歩いて「箱庭」をつくるツアー&ワークショップと、「つみ箱mini」で什器の再利用のアイデアを考えるワークショップを行った。

Design Process
設計プロセス

Domestic timber was used, with traceability and reuse of waste wood planned from the design stage.

The transport route of the timber—from source to sawmill, fabrication, and delivery to the site—and the reuse of offcuts from production were planned and visualized as data. Early in the design, the team visited Tokyo Chainsaws’ forest and log yard to examine the timber to be used.

設計プロセス

国産木材を使用し、木材のトレーサビリティと廃材の再利用を設計段階から計画した。

産地から製材、加工、現地搬入までの木材の移動ルートや、制作過程で出る端材の再利用までを計画し、データとして可視化した。設計の初期には東京チェンソーズの森と土場を訪れ、素材となる木材を確かめた。

Credit

クレジット

Design

General Supervision
  • Kazuhiko Takeuchi
  • Institute for Global Environmental Strategies (IGES)
  • Seita Emori
  • Institute for Future Initiatives, The University of Tokyo
  • National Institute for Environmental Studies
Content Schematic Design
  • NHK Enterprises, Inc. and others
Exhibition Planning
  • Takashi Nakahara
  • Takeshi Tanio
  • Takashi Byodo
Illustration
  • Tomozo Mizukoshi
Technical Direction
  • siro
  • Tsumura Kogei Co., Ltd.
Modular Fixture Structural Design
  • yasuhirokaneda STRUCTURE (Yasuhiro Kaneda)
ZONE 2 System Development
  • Tomoki Itamiya
Design Advice on Reducing Environmental Impact
  • Mono Factory Co., Ltd.
  • Kazutoshi Tsuda (Kyoto Institute of Technology)

Construction

ShopBot Partner
  • SSca
  • Takagi Co., Ltd.
Planning and Production
  • Miraikan and others
ZONE 1 Detailed Design and Production
  • PICS Co., Ltd. and others
Spatial Schematic Design, Detailed Design and Production
  • Tsumura Kogei Co., Ltd.
Spatial Direction and Design / Timber Advice / Modular Fixture Design and Fabrication
  • VUILD
Art Direction / Signage and Graphic Design
  • TAKAIYAMA inc.
ZONE 3 “Beyond the Dining Table” Direction, Content Production and System Development
  • siro
ZONE 3 “A Window into How Daily Life Works” Video Direction and Production
  • groovisions
ZONE 4 Direction, Content Production and System Development
  • siro
Making-of Video Direction and Production
  • toha Inc.

Others

Cooperation
  • Institute for Global Environmental Strategies (IGES)
Photography Support
  • Tokyo Chainsaws Inc.
  • Tottori CLT Co., Ltd.
  • Takagi Co., Ltd.
  • Yoshizawa Kensetsu Kogyo Co., Ltd.

Photography

Photography
  • Hayato Kurobe

It’s okay if you haven’t decided what to create yet.
Across design, fabrication, and construction,
we design the very path to realization itself.
Please feel free to get in touch.

It’s okay if you haven’t decided what to create yet. Across design, fabrication, and construction, we design the very path to realization itself. Please feel free to get in touch.

何をつくるか、まだ決まっていなくても構いません。設計、製造、施工を横断し、「実現の道筋」 そのものを設計します。ぜひ、お気軽にお問い合わせください。