Planetary Crisis – New Permanent Exhibition at Miraikan
- #Design Build
- #Interior
- Client
- National Museum of Emerging Science and Innovation (Miraikan)
- Year
- 2023 (2023.01 - 2023.11)

Overview
02 Process
“Tsumibako,” modular units of domestic CLT at the core of the exhibition furniture, were designed for reuse after the exhibition.
Tsumibako is based on a 400 mm grid in width, depth, and height and consists of five types of modules, which combine into benches, tables, counters, shelves, tiered seating, gates, and more. The system is designed to be easily dismantled after the exhibition.
展示什器の中心となる国産CLTのモジュール什器「つみ箱」は、展示終了後の再利用を前提に設計した。
つみ箱は幅・奥行・高さ400mmのグリッドを基本とした全5種のモジュールで構成し、組み合わせによってベンチ、テーブル、カウンター、棚、ひな壇、ゲートなどに展開する。展示終了後に簡単に分解できる仕組みとした。
“Odd timber,” irregularly shaped wood that does not circulate in the market, was used for furniture while retaining its shape.
The odd timber was sourced from Tokyo Chainsaws, a forestry company in Hinohara Village, Tokyo, and made into pieces such as a multi-stemmed table that keeps the branching of the tree and workshop tables topped with large forked timber. Before the opening, two workshops were held for elementary school children and their families: a tour and workshop in which participants walked the Hinohara forest and made “miniature gardens,” and a workshop in which they used “Tsumibako mini” to come up with ideas for reusing the furniture.
また、形が不揃いで市場に流通しない「ヘンテコ材」を、形状を生かしたまま什器に用いた。
ヘンテコ材は東京都檜原村の林業会社、東京チェンソーズから調達し、枝分かれを生かした株立ちのテーブルや、大きな二股材を天板にしたワークショップテーブルなどを製作した。展示のオープン前には、小学生とその家族を対象に、檜原の森を歩いて「箱庭」をつくるツアー&ワークショップと、「つみ箱mini」で什器の再利用のアイデアを考えるワークショップを行った。
Domestic timber was used, with traceability and reuse of waste wood planned from the design stage.
The transport route of the timber—from source to sawmill, fabrication, and delivery to the site—and the reuse of offcuts from production were planned and visualized as data. Early in the design, the team visited Tokyo Chainsaws’ forest and log yard to examine the timber to be used.
国産木材を使用し、木材のトレーサビリティと廃材の再利用を設計段階から計画した。
産地から製材、加工、現地搬入までの木材の移動ルートや、制作過程で出る端材の再利用までを計画し、データとして可視化した。設計の初期には東京チェンソーズの森と土場を訪れ、素材となる木材を確かめた。
Credit
Design
- Kazuhiko Takeuchi
- Institute for Global Environmental Strategies (IGES)
- Seita Emori
- Institute for Future Initiatives, The University of Tokyo
- National Institute for Environmental Studies
- NHK Enterprises, Inc. and others
- Takashi Nakahara
- Takeshi Tanio
- Takashi Byodo
- Tomozo Mizukoshi
- siro
- Tsumura Kogei Co., Ltd.
- yasuhirokaneda STRUCTURE (Yasuhiro Kaneda)
- Tomoki Itamiya
- Mono Factory Co., Ltd.
- Kazutoshi Tsuda (Kyoto Institute of Technology)
Construction
- SSca
- Takagi Co., Ltd.
- Miraikan and others
- PICS Co., Ltd. and others
- Tsumura Kogei Co., Ltd.
- VUILD
- TAKAIYAMA inc.
- siro
- groovisions
- siro
- toha Inc.
Others
- Institute for Global Environmental Strategies (IGES)
- Tokyo Chainsaws Inc.
- Tottori CLT Co., Ltd.
- Takagi Co., Ltd.
- Yoshizawa Kensetsu Kogyo Co., Ltd.
Photography
- Hayato Kurobe
It’s okay if you haven’t decided what to create yet.
Across design, fabrication, and construction,
we design the very path to realization itself.
Please feel free to get in touch.
It’s okay if you haven’t decided what to create yet. Across design, fabrication, and construction, we design the very path to realization itself. Please feel free to get in touch.
何をつくるか、まだ決まっていなくても構いません。設計、製造、施工を横断し、「実現の道筋」 そのものを設計します。ぜひ、お気軽にお問い合わせください。











